Based on the formal principles of Bauhaus and the Soviet avant-garde, the collection approaches utility as a fundamental artistic position rather than a secondary function.
In the Bauhaus tradition, even singular objects were conceived as design acts that became manifestos — where use, structure, and form were inseparable.
These works retain their utilitarian logic, not as an obligation, but as an honest continuation of that legacy, positioning each object at the boundary between design, architecture, and fine art.